What sets the Arles Primes apart is their ability toachieve an lMAX-like depth of field at T/1.4.
— Matt Bendo CSC, AlCCinematographer
The DZOFilm X-Tract's wide T8 aperture is a game-changer for tabletop and product work, offering incredible depth of field control and capturing stunning details.
— Baptiste LejeuneVideographer/Content Creator
What sets the Probe Zoom X-Tract apart is its ability to combine macro precision with the creative flexibility of a zoom, delivering stunning image quality with a beautifully creamy bokeh, especially at 28mm.
— Alex GrimaFood & Drink Director
They were shot with DZOFILM lenses
Botanist
Botanist
Cinematography: Jing Yi
Director: Vanon Li
Lens: Gnosis Macro
Nice View
Nice View
Cinematography: Boxue Wang
Director: Muye Wen
Lens: Vespid Retro
The Crimson Rivers
The Crimson Rivers
Cinematography: David Morley
Director: Vincent Gallot
Lens: Vespid Prime
Instant Daddy
Instant Daddy
Cinematography: Crisanto Aquino
Director: Alex Espartero
Lens: Vespid Retro
Queen of Tears
Queen of Tears
Cinematography: Kim Hee-won, Jang Young-woo
Director: Sylvain Freyens
Lens: Vespid Retro
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